
Lost Tribe
The Hamptons
The Story
Mathew Schmuelian built The Hamptons around late-afternoon light on the East End, the golden hour when everything slows. Rather than the dense, animalic oud of his darker work, he chose a wild Sri Lankan oud that behaves like a sea breeze, lifting the fruit and white florals instead of weighing them down. Ambergris, Siberian musk, and Sri Lankan sandalwood settle it into warm skin.


White Floral
Heady blooms, narcotic and creamy
Lush, creamy petals that turn heady and almost narcotic, with a ripe, indolic sweetness edged in green and a hint of overripe fruit. It feels sensual and intoxicating, the kind of bloom that fills a room and lingers on warm skin.


Citrus
First bright zest of morning
The juicy, rind-snapping brightness of lemon, bergamot, and orange peel, tart and effervescent with a clean bitter edge. It opens a scent with instant lift and sparkle, fresh and energizing, evaporating quickly like sunlight on water.


Fruity
Ripe orchard flush of juice
The succulent sweetness of peach, pear, apple, or berry, soft and dewy with a nectar-like ripeness distinct from sharp citrus. It brings a playful, mouthwatering roundness that feels youthful, juicy, and lighthearted.


Amber
Golden resin glowing warm
A soft, resinous glow built from labdanum, benzoin, and vanilla, sweet but dusky, like sun-warmed tree sap with a hint of incense smoke. It radiates a cozy, golden heat that wraps close to the skin and lingers.


Rose
Velvet petals, honey and thorn
The layered scent of true petals, dewy and fruity up top, with a deeper jammy, honeyed heart and a faint peppery, green bite. It feels timeless and emotional, by turns delicate and commanding depending on how it unfolds.


Animalic
Warm skin, musk and muscle
A raw, body-warm muskiness that reads of skin, hair, and fur, sometimes sweet and powdery, sometimes sharp and faintly feral. It feels primal and intimate, blurring the line between perfume and the person wearing it.


Yuzu
Tart Japanese citrus, crisp as winter air
What it is
Yuzu is the fruit of Citrus junos, a knobbly, thick-skinned citrus cultivated in Japan, Korea and China and long used in Japanese cooking and bathing. The fragrant oil is held in the bumpy rind, recovered mainly by cold-pressing the peel, with smaller steam-distilled grades also produced.
How it smells
Sharp and mouth-watering, like grapefruit crossed with mandarin and a squeeze of lime. A green, faintly herbal bitterness sits under the brightness, with cool floral and balsamic facets traced to yuzu-specific compounds like yuzunone. It opens crisp and tangy, then thins to clean zest.
In perfumery
A top note used for a vivid, slightly austere citrus snap that feels fresher and more savory than orange. It pairs with shiso, tea, vetiver and clean musks in modern fresh compositions, and headlines scents built around its distinctive sour-green character.
Good to know
Yuzu trees are notoriously slow, often taking many years to fruit, which fed a proverb about waiting eighteen years for the harvest. At the winter solstice, whole yuzu are floated in a hot Japanese bath, the yuzuyu, to scent the water and warm the body.


Ambergris
Sea-aged whale gold breathing warm salt air
What it is
Ambergris is a waxy substance formed in the gut of the sperm whale, thought to coat the indigestible squid beaks it swallows. Produced by perhaps one percent of whales, it is expelled and drifts for years at sea, oxidizing under sun and salt before washing ashore as lumps.
How it smells
Fresh ambergris is fecal and marine; aged, it turns sweet, animalic and softly mineral. The scent is warm and skin-like, with tobacco, dry seaweed, old wood and a salty, faintly sweet musk. It reads less as a sharp odor than as warmth, diffusion and breath.
In perfumery
A prized base note and fixative, it lends warmth, diffusion and a luminous skin effect while slowing evaporation of lighter materials. Its bulk constituent is the near-odorless triterpene ambrein, whose oxidation products ambroxide and ambrinol carry the scent. Most fragrances now use synthetics like Ambroxan; rare real tinctures appear in bespoke work and vintage chypre and oriental compositions.
Good to know
Though salvageable in some countries, ambergris is illegal to collect, possess or sell in the United States, protected as a sperm-whale product under marine-mammal and endangered-species law; India bans possession and sale as well, while Australia restricts only its commercial import and export. Single boulder-sized finds have sold elsewhere for hundreds of thousands of dollars, earning the nickname floating gold.


Georgian Rose Otto
The sunlit, honey-clear damask of the Caucasus
What it is
Georgian Rose is the otto (steam/hydro-distilled essential oil) of Rosa damascena grown in the valleys of the Caucasus, in the Republic of Georgia. In an all-natural house where rare botanicals are distilled and blended in-house, it appears as a genuine single-origin rose oil rather than a reconstituted rose accord, often set beside other true ottos so each origin keeps its own voice. Being the otto and not the solvent-extracted absolute, it carries the lighter, more crystalline top of the flower rather than the dark, jammy depth that extraction pulls out.
How it smells
Sunny, bright and glowingly warm: a clear honeyed damask laced with a musky-powdery softness and a plethora of shifting honeyed nuances. There is a green, almost rose-geranium lift up top and, in the drydown, the scent of the whole shrub, leaves, stems and petals, rather than petals alone. The honey here is luminous and fresh-jammy, never sticky, with a faint spiciness that keeps it from turning syrupy.
In perfumery
Georgian otto is prized as a transparent, radiant rose that lifts and brightens a composition without weighing it down, which is why it is layered with oud, musk and other roses to add daylight to an otherwise dark blend. In a many-rose blend it can sit among four single-origin rose oils, from Georgia, Afghanistan, Bulgaria and India, contributing the clear, musky-honeyed facet that distinguishes it from its sharper or fruitier siblings. A few drops read clean and floral-fresh; in concentration it turns velvety and powdery without losing its lit-from-within clarity.
Good to know
True Georgian rose otto is a clear, thin oil that congeals at cool room temperature (around 68°F / 20°C) and re-liquefies in the hand, a hallmark of an unadulterated otto. It is distinct from a rose absolute, which is darker, deeper and more wine-jammy, and from synthetic rose accords built on geraniol and damascones, which lack its living green, whole-plant complexity. Like all genuine damask ottos it is precious and costly, hundreds of pounds of blossoms yield a single ounce, so its presence signals real botanical content, not a rose flavoring.


Honeysuckle
Sun-warmed hedgerow nectar dripping golden evening sweetness
What it is
Honeysuckle is a climbing vine of the genus Lonicera, common in temperate hedgerows, bearing tubular cream-and-yellow flowers. The blossoms hold fragrant nectar but yield almost no extractable oil, so nearly all perfumery honeysuckle is a synthetic reconstruction of the living flower's scent.
How it smells
Sweet, honeyed and nectarous, with green dewy freshness and a soft fruity-floral lift recalling jasmine and orange blossom. It opens bright and luminous, like a warm hedge blooming at dusk, then softens into a clinging honey-and-petal sweetness over a faint waxy depth.
In perfumery
A heart note bringing radiant honeyed nectar and dewy transparency to floral bouquets. It rarely stands alone, instead enriching lily-of-the-valley, jasmine, tuberose and neroli accords. It glows in the heart of honeysuckle soliflores and the floral-fruity center of honeyed bouquets.
Good to know
Children have long pinched the base of a honeysuckle flower to draw out a bead of sweet nectar, the habit behind the plant's folk name. Because enfleurage and distillation of the bloom proved commercially unviable, the modern note exists almost entirely through aroma chemistry.


Civet
Animal warmth that makes flowers bloom indecent
What it is
A glandular paste from the African civet, a nocturnal cat-like mammal secreting it from a perineal pouch, historically scraped out by hand and tinctured in alcohol. Modern perfumery instead uses synthetic civetone, a large-ring ketone whose macrocyclic structure was elucidated by Leopold Ruzicka in 1926.
How it smells
Raw and undiluted it is shockingly fecal, pungent and indolic, edged with skatole and sour butter. Diluted to traces it turns warm, honeyed and slightly leathery, with a tobacco hum and skin-like radiance. The shift from repellent to alluring happens entirely through dilution.
In perfumery
A base-note fixative valued for radiance and carnal warmth, lending florals a living, skin-like glow. Classic alongside jasmine and rose in animalic chypres and orientals. Trace civet shaped many vintage aldehydic florals and ambery orientals before synthetic civetone displaced the natural material.
Good to know
Civet farming confines wild-caught animals so the gland can be scraped repeatedly, and it continues on a reduced scale in Ethiopia even though synthetic civetone has displaced the natural material almost everywhere in perfumery. This perfumery civet is not the Asian palm civet behind kopi luwak coffee, a different animal in the same family.


Gardenia
Creamy white bloom with a mushroom heart
What it is
Gardenia is a glossy-leaved evergreen shrub of the coffee family, native to China and Japan, prized for its waxy white flowers. The living bloom yields almost no oil to extraction, so perfumers recreate it through headspace analysis and reconstruction from jasmine, tuberose and aroma-chemicals.
How it smells
Lush, creamy and white-floral, layering jasmine sweetness over tuberose richness. A green, almost buttery freshness opens it, while a curious mushroom-and-coconut facet sits at its core, lending a fleshy, slightly savory depth that keeps the sweetness grounded and lifelike.
In perfumery
A heart note bringing opulent, velvety body to white-floral and tropical compositions. It pairs with tuberose, ylang-ylang, jasmine and coconut, and stars in soliflores built entirely around the bloom.
Good to know
A true gardenia absolute barely exists commercially: the flower yields too little material to extract economically, so nearly every gardenia note is a clever reconstruction. The shrub was named for Scottish-born naturalist Alexander Garden in the eighteenth century.


Honeysuckle Absolute
Sun-warmed hedgerow nectar dripping golden evening sweetness
What it is
Honeysuckle is a climbing vine of the genus Lonicera, common in temperate hedgerows, bearing tubular cream-and-yellow flowers. The blossoms hold fragrant nectar but yield almost no extractable oil, so nearly all perfumery honeysuckle is a synthetic reconstruction of the living flower's scent.
How it smells
Sweet, honeyed and nectarous, with green dewy freshness and a soft fruity-floral lift recalling jasmine and orange blossom. It opens bright and luminous, like a warm hedge blooming at dusk, then softens into a clinging honey-and-petal sweetness over a faint waxy depth.
In perfumery
A heart note bringing radiant honeyed nectar and dewy transparency to floral bouquets. It rarely stands alone, instead enriching lily-of-the-valley, jasmine, tuberose and neroli accords. It glows in the heart of honeysuckle soliflores and the floral-fruity center of honeyed bouquets.
Good to know
Children have long pinched the base of a honeysuckle flower to draw out a bead of sweet nectar, the habit behind the plant's folk name. Because enfleurage and distillation of the bloom proved commercially unviable, the modern note exists almost entirely through aroma chemistry.
Raspberry
A berry conjured, since none can be extracted
What it is
There is no raspberry essential oil or absolute, so the note is always a construction. The lab route rests on raspberry ketone, also sold as frambinone, with beta-ionone bridging berry and violet and furaneol supplying cooked-fruit sweetness. A naturals-only route reaches for boronia absolute, which smells of raspberry jam and tea, alongside davana, rose and violet leaf.
How it smells
Ripe and jammy, sweet rather than sharp, with a powdery floral shadow that surfaces as it settles. The lab build is brighter and a little candied, vivid on first spray and steady in shape. A botanical reconstruction reads warmer and wilder, threaded with green and rosy nuances, softer at the edges and shifting as it dries.
In perfumery
Raspberry runs through fruity-florals and gourmands, pairing with rose, violet, patchouli, vanilla and white musks. Raspberry ketone is unusual among fruit materials for its tenacity, holding into the dry-down where most fruit notes have already gone. Boronia is scarce and expensive, so botanical versions appear mostly in small, hand-poured work.
Good to know
Raspberry leaf absolute does exist, but it smells green and leafy rather than of fruit and is not a substitute. Neither route puts raspberry in the bottle. The aroma-chemical version is loud, stable and repeatable, while the botanical version is quieter, drifts with the harvest and cannot be matched exactly between batches.


Wild Sri Lankan Oud
The connoisseur's cool, aquatic island oud
What it is
Genuine agarwood from Sri Lanka: the resin-soaked heartwood of Gyrinops walla, the island's 'Walla Patta' tree, rather than the Aquilaria species behind Indian and Southeast Asian oud. Often called 'Silani' oud, it is distilled from mature Walla Patta heartwood rather than fast-inoculated plantation stock, which gives it an untamed intensity connoisseurs prize, and aged Sri Lankan grades can command many times the price of Indian oud. Artisanal houses build it into the base of their compositions as the real, single-origin material, never a synthetic 'oud accord.'
How it smells
Bright, spicy and resinous, with sweet, woody, balsamic facets and a distinctly cool, almost aquatic-green lift instead of heat or smoke. A clean, medicinal, temple-incense quality up top settles into a soft, sandalwood-like drydown; perfumers literally describe it as 'an incredible aquatic breeze.' It carries the wild material's restless complexity without the heavy fermented funk of cheaper oils, for an impression that is luminous and crystalline: an oud that breathes rather than broods.
In perfumery
Used as a refined, lifting base note that adds depth and a precious-wood signature without dominating, so it can sit beneath fruit, florals or vetiver instead of crushing them. It can sharpen a raspberry-yuzu-civet trio with cooling tension, or ground a vetiver-heavy green carried on bakhoor tincture. Because the oil is real and wild, a little delivers enormous radiance and longevity. Perfumers reach for Ceylon oud precisely when they want oud's prestige but a clean, transparent character rather than a smoky one.
Good to know
This is the opposite of a brooding Hindi oud (no leather, no barnyard, no fecal animalic edge), and it is cooler and drier than a honeyed Cambodi or the camphor-medicinal bite of Borneo and Thai ouds. Wild Gyrinops walla is increasingly scarce and the subject of trade-protection calls in Sri Lanka, part of why genuine Silani oud is so coveted and costly. Expect a refined, incense-clean wood that rewards a trained nose, where a single drop of the real oil does the work of a whole synthetic accord.


Siberian Musk
Cabardine musk from the taiga's deer
What it is
Dried glandular musk from the male Siberian musk deer, Moschus moschiferus, ranging across the boreal taiga of Siberia, Mongolia and the Russian Far East. Historically traded as Cabardine, it is one of the regional grades of true deer musk, alongside the prized Tonquin and the Assam and Nepal types.
How it smells
Raw, it is sharply animalic, ammoniac and fecal, almost shocking straight from the pod. Tinctured and aged for months, that softens into a warm, faintly leathery, dry-woody musk with powdery radiance and skin warmth. Connoisseurs rank it a notch below Tonquin: coarser, less rounded, less honeyed and sweet.
In perfumery
Used historically as a fixative and animalic heart, tinctured in alcohol over months before blending. Cabardine carried lower muscone content and a rougher edge than the benchmark Tonquin grade, so it sold cheaper, yet it still commanded extraordinary sums back when natural deer musk underpinned the great fougeres and orientals.
Good to know
Moschus moschiferus has been CITES-listed since 1979; its Siberian, Mongolian and Chinese populations sit on Appendix II and move only under permit and quota, while Appendix I is reserved for the musk deer of the Himalayan range states. Each gland yields only about twenty-five grams, so roughly forty males die per kilogram, and far more through indiscriminate snaring. Genuine Siberian musk survives in vintage bottles and a few all-natural artisan houses; nearly every modern fragrance uses synthetic musks instead.


Sri Lankan Sandalwood
Island-grown sandalwood, sweeter and silken-smooth
What it is
Ceylonese sandalwood is the heartwood of Santalum album grown in Sri Lanka's intermediate mountain zone, the same species as fabled Mysore sandalwood. The fragrant inner heartwood and roots of mature trees are ground and steam-distilled into a pale, viscous oil rich in alpha- and beta-santalol, which carry its scent.
How it smells
A soft, creamy, milky woodiness with the species' signature warmth. Compared with Australian sandalwood, the Santalum album profile reads sweeter and less dry, smooth and rounded with a faint balsamic, almost animalic depth. It has little sharp top note and unfolds slowly and evenly over hours.
In perfumery
A quintessential base note prized for tenacity and a velvety drydown that fixes and rounds a composition. It blends with rose, jasmine, violet, vetiver and amber, anchoring orientals, chypres and woody florals. Its creamy santalol character underpins countless classic sandalwood-centered fragrances and softens sharper materials around it.
Good to know
Santalum album is slow-growing, worth harvesting only after roughly thirty years, and heavily exploited, so the legendary Mysore source collapsed under overharvest and protection laws. Sri Lanka, alongside Australia and Indonesia, has become an alternative origin, letting perfumers reach for true Santalum album character beyond the depleted Indian groves.
Fragrance Character
Yuzu and raspberry pour juicy and luminous over a flush of Georgian rose, a trace of civet keeping it from turning candied. Through the heart, gardenia and honeysuckle absolute bloom dewy and full, tart fruit threaded between them. The drydown stays close and golden, the wild oud clean and breezy against Siberian musk and creamy Sri Lankan sandalwood.
Best Worn
Spring and summer, in daylight and warm evenings, worn close to the skin. It suits someone who wants the richness of oud and ambergris without the weight, a refined scent for casual and romantic hours.
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The Vibe
The Nose
Mathew Schmuelian
In-house perfumer
Self-taught founder and perfumer of Lost Tribe, who moved from collecting artisanal naturals to macerating his own musks in 2022; his first release, Hope You Like It, ran to about sixteen bottles. He composed Lost Tribe Sultry Sambac, Lost Tribe Smoky Bear and Lost Tribe Prince of Persia.
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The Maison
Lost Tribe
Small tribe, real musk, no compromises, poured while stock of the originals lasts.
Lost Tribe makes fragrance that feels lived in and loud, the kind that arrives before you do and lingers after you leave. There is a maximalist streak running through the whole house, from sun drunk tropical fruit to resin thick vanilla to rare oud built on aged Kinam.
- Known for
- Maximalist naturals, aged Kinam









































