


Bidzina Kanchaveli
Hate
Hate does not try to be liked. It opens animal and stays there, spice pushing through a warm musky fug, and for most people it lands somewhere between unfamiliar and confronting before it starts to become interesting.
The Story
The house describes him as a Berlin-based Georgian perfumer and olfactory artist whose creations go beyond traditional fragrance into art, emotion and philosophy, each piece carrying a carefully composed dramaturgy and a complex scent structure, with notes unconventional enough to surprise experienced noses.
Bidzina Kanchaveli is a Georgian artist, dramaturg and film-maker who now runs a small perfume atelier in Berlin. For the Emotions Series he did not work from a brief. By his own account he waited, through self-observation, for the moment a particular emotional state became tangible, and composed from inside it. Four fragrances came out of that method: Fear, Hate, Grief and Envy. He is explicit that the compositions move away from traditional and classical perfume structures, drawing instead on the olfactory language of the human body.
Of Hate he writes that for many the composition feels entirely unfamiliar, that depending on cultural background it may evoke a scent never encountered before: a naturally toxic scent devoid of any synthetic impression, a raw living poison drawn from nature. It refuses immediate pleasure and asks the nose to adapt. Over time, he says, a strong fascination emerges, from irritation to attraction. A fragrance that does not seek to please.
Every bottle is a hand-made porcelain sculpture, marked by the atelier as limited, handmade and unicat, a single unique piece. The package is printed Extrait de Parfum, 15 ml, 60% Vol, and arrives sealed in paper you cut open along a marked line.
The Nose
Composed by Bidzina Kanchaveli, who also created the other three Emotions Series extraits and the concrete-bottled Color Series, and who makes every bottle by hand in his Berlin atelier.


Animalic
Warm skin, musk and muscle
A raw, body-warm muskiness that reads of skin, hair, and fur, sometimes sweet and powdery, sometimes sharp and faintly feral. It feels primal and intimate, blurring the line between perfume and the person wearing it.


Warm Spicy
Glowing embers of the spice drawer
The rounded heat of cinnamon, clove, and nutmeg, dry and slightly resinous, like a baking pantry rather than a sharp kitchen. It creates a flushed, enveloping warmth that feels intimate and cool-weather, hugging the skin from within.


Musky
Warm breath of clean skin
A soft, slightly animalic warmth that smells like clean skin and freshly dried laundry, intimate and faintly sweet. It hums quietly underneath a fragrance, lending a sensual, second-skin closeness that feels personal and lingering.


Animal Notes
The warm, skin-close growl beneath a fragrance
What it is
Animal notes name a family of warm, body-like accords historically drawn from musk deer glands, civet, castoreum from beavers and ambergris from sperm whales. Today they are almost entirely recreated from aroma-chemicals and plant sources such as ambrette and labdanum, the original materials being restricted or banned.
How it smells
A spectrum of warmth: musks read soft and skin-like, civet sharp and faecal in trace amounts yet velvety when diluted, castoreum leathery and smoky, ambergris salty-sweet and marine. Together they suggest fur, breath, sweat and intimacy at the threshold of clean and dirty.
In perfumery
Worked into the base to add depth and a living human warmth that makes a scent feel worn rather than sprayed. They drive the carnal heart of the great animalic orientals and the classic animalic chypres and leathers.
Good to know
Real musk once required killing the male musk deer for its gland; the species is now protected under CITES and natural musk trade is banned. Virtually all modern animalics are synthetic or vegetal, an early, lasting case of perfumery trading cruelty for chemistry.


Spicy Notes
The warm crackle that wakes a fragrance up
What it is
An accord category rather than one material, built from spice plants: clove buds, cinnamon bark, black pepper berries, nutmeg seed, cardamom pods and ginger rhizome. Aromas are won by steam distillation or CO2 extraction of the dried part, or matched with aroma-chemicals like eugenol and cinnamic aldehyde.
How it smells
Warm, dry and prickling, with a faint heat on the nose. Pepper reads sharp and crisp, clove medicinal and numbing, cinnamon sweet and woody, nutmeg dusty. The blend opens bright and biting, then settles into rounded, ambery warmth as the volatile edge burns off.
In perfumery
Usually a heart or top accent adding energy, contrast and warmth. It bridges citrus tops to woody-ambery bases and animates florals and orientals. It pairs with rose, amber, leather and tobacco. It is showcased in pepper-and-clove spice studies and in the great spicy orientals of the twentieth century.
Good to know
The medieval spice trade made these materials worth more than gold by weight, driving voyages that redrew world maps. Clove eugenol and cinnamic aldehyde are flagged skin sensitizers, so IFRA caps their use, nudging perfumers toward gentler synthetic spice molecules.
Fragrance Character
An animal opening over a spicy base, carried on musk. There is no bright top to hide behind and no sweetness to soften the landing, which is why first impressions of it are so divided.
Best Worn
Cold weather, late hours, and nobody standing too close until you know how it behaves on your skin. Treat the first wearing as an experiment rather than a decision. This is a very new release from a one-person atelier, so wearer reports are still few and performance will vary between pieces.
Why the Hate Decant
Each one is a single porcelain sculpture holding 15 ml of extrait at 60%, made and sealed by hand in Berlin and sold as a unique piece. A decant is the sane way to live with something this uncompromising before committing to the object.
Official Notes
Animal Notes · Spicy Notes
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